The Writer’s Promo and The Queen’s Confession

Promotional bit first: My first book signing will be at Brightleaf Books in Smithfield, North Carolina, on Friday, June 23! (Time to be arranged.) This gives me two months to perfect a signature that actually looks like “Susan Higginbotham” instead of the mark of a highly dysfunctional two-year-old, so please come to admire my handiwork. If you don’t happen to live near Smithfield, North Carolina, don’t let that deter you—you’ve two months to make your arrangements, and Smithfield is on the way to North Carolina’s beaches, which are sandy (as opposed to rocky), clean, and WARM (a big incentive for you folks from colder climates). So start planning, ladies and gentlemen of the blogsphere.

I myself went to the beach this weekend and succeeded both in sunburning my feet and in finishing The Queen’s Confession, Victoria Holt’s novel about Marie Antoinette. I was very impressed by this one. It’s written in the first person by the queen, who bluntly acknowledges her failings and records her regrets about what she might have done differently.

One of the most well written episodes in the novel is that in which Marie Antoinette attempts to escape France incognito in a lavishly equipped, outsized vehicle known as a berlin. We share the queen’s frustration and regret that she chose such a conspicuous, high-status vehicle, especially when she tells us that her brother-in-law picked a shabby carriage for his own (ultimately successful) escape. Our frustration mounts as the party of escapees makes blunder after blunder, such as missing connections and stopping to let the royal children stretch their legs. At the same time, though, even as we readers know the attempt is doomed, we find ourselves hoping, against all logic, that it succeeds after all.

My only real dissatisfaction with this novel came from the limitations the first-person narration imposed. (One of these days, when I’m feeling more ruminative, I’ll post about first-person narration versus third-person narration in historical fiction. Comments welcome in the meantime.) I would have liked to have read more about what was going on outside Marie Antoinette’s chambers, to learn more of what was taking place in the minds of the people around her. All in all, though, this is a historical novel well worth reading.

4 thoughts on “The Writer’s Promo and The Queen’s Confession”

  1. I should write that post about first versus third person POV in historical novels, too, so we can compare notes. 🙂

  2. Susan Higginbotham

    I prefer third person for historical novels, generally. I think it’s because it allows the author the potential, at least, to give the reader different perspectives. On the other hand, as in the Plaidy novel I posted about today, there’s a danger in giving so many perspectives that the reader never really gets to know any of the characters very well. More later when I’m feeling more intelligent!

  3. Margaret Evans Porter

    I recall The Queen’s Confession–gave up my copy a long time ago, prior to a cross-country move. I do but recall liking it.

    I tend to agree about third person for historicals, but occasionally a first person one will impress me greatly.

    Your mention of Margaret Campbell Barnes reminded me of another old favourite of mine, Within the Hollow Crown. Your book references are putting me into a re-reading mood!

    Great blog!

  4. Susan Higginbotham

    Thanks for stopping by, and glad you liked the blog! (I’m enjoying looking at yours too.) I think the first-person historical I’ve liked best has been Sandra Gulland’s Josephine Bonaparte trilogy. Gulland manages to convey the events happening around Josephine without sounding artificial, and she also manages to bring the other people in Josephine’s circle to life.

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